Equus Mirabilis

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 30x80

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Equus Mirabilis
— Antinoo
- Tecnica
- Materiale
- cm 70x100

Infinite Poetry
The printed sheet, as a poetic "body".Poetry normally lives on paper because paper contains it, preserves it and gives a sense of thickness and substance to its shape. From this point of view, obviously, poetry is in a symbiotic relationship with the paper on which it is printed or written because the two elements draw a mutual advantage from this relationship.
In the same way, if we asked ourselves the meaning of an empty sheet that does not contain a text, we would realize that its value is that of a simple container, like an empty canvas to paint. Instead a sheet, if written by a text is already "other": it takes on the semantic meaning of artistic body when it is transformed into "art object", and even more of "poetic body" if that object feeds on printed poetry.
In essence poetry transfigures its primary sense of fruition through reading in a second bodily value that amplifies its meaning; and this meaning becomes even more powerful if that text is part of a true book of poems, like a precious pearl in the thread of a necklace.
Poetry, therefore, recycled in its paper envelope and used again to become infinite.